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Discussion in 'Tomita' started by HalloweenVince at a..., Jul 13, 2002.

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  1. Hi, my name is Vince and I've just signed up to join the group. Well...I've
    been a member before, but unfortunately my access to emaiils/internet at work
    was withdrawn, so only now am I able to resurface as I have my own pc.

    The site is great, and a good way to keep up to date with releases - and I
    may be able to help out with some images to plug some gaps - so whoever wants
    them can email me. But bear with me as I am only just learning how to use my
    scanner!

    I have -
    1995 The Golden Age of Japanese Films on CD
    1995 Mighty Jack on CD
    1996 Unbalance on CD
    1996 Captain Ultra on 2CD
    1996 Catastrophe 1999 on CD
    1998 School 1-3 on CD - and I believe this is the "Class To Remember" in the
    website's unreleased section.
    2000 Shigeo Nagashima on CD
    2001 1000 Year Love on CD

    I also have translations for the track listings for -
    Jungle Emperor Leo
    Shin-Nihon-Kikou (in fact a complete translation of the whole booklet!)

    Finally, can anyone help me out with the following questions?
    1) Is Tomita's Disney Sea Aquasphere actually out on CD? If so where can I
    obtain a copy? and
    2) On the official Tomita site reference is made to a 1994 CD entitled
    "Tomita Sound Cloud Special Edition" - any info on this? Like is it still
    available?

    Hope the above is of some use to some of you, and hope to hear from some of
    you


    Vince Williams
     
    #1
  2. HalloweenVince at a... wrote:
    >
    > Hi, my name is Vince and I've just signed up to join the group. Well...I've
    > been a member before, but unfortunately my access to emaiils/internet at work
    > was withdrawn, so only now am I able to resurface as I have my own pc.
    >
    > The site is great, and a good way to keep up to date with releases - and I
    > may be able to help out with some images to plug some gaps - so whoever wants
    > them can email me. But bear with me as I am only just learning how to use my
    > scanner!
    >
    > I have -
    > 1995 The Golden Age of Japanese Films on CD
    > 1995 Mighty Jack on CD
    > 1996 Unbalance on CD
    > 1996 Captain Ultra on 2CD
    > 1996 Catastrophe 1999 on CD
    > 1998 School 1-3 on CD - and I believe this is the "Class To Remember" in the
    > website's unreleased section.
    > 2000 Shigeo Nagashima on CD
    > 2001 1000 Year Love on CD
    >
    > I also have translations for the track listings for -
    > Jungle Emperor Leo
    > Shin-Nihon-Kikou (in fact a complete translation of the whole booklet!)
    >


    so I'm asuming you are saying that that is your list of CDs not on John
    and Ben's site, otherwise its a very unusual list!

    Am I correct that Unbalance is like Mighty Jack II? For some reason I
    keep seeing it on lists but I've never I.D.ed it in a shop.

    Anyone have info on if the singles from Shin-Nihon-Kikou contain
    anything unique? And are there two singles? I definitely saw one but I
    was running out of cash and it didn't seem to contain anything unique,
    but my skills weren't what they are now for whatever thats worth.

    P.S. as I like to point out the Catastrophe 1999 from '96 is a new
    concoction that I doubt Tomita approves of, its the mono raw film cues
    plus the stereo single. The original release in '74 was two side long
    stereo suites (and the single sold separate of course). The suites did
    see an early 90s CD release (VICL-5080, out of print). And I might add
    for anyone wondering why I'm making a big deal, its that this is the
    only Tomita analog synth soundtrack I know of that was released. (Please
    tell me if there was another!)

    > Finally, can anyone help me out with the following questions?
    > 1) Is Tomita's Disney Sea Aquasphere actually out on CD? If so where can I
    > obtain a copy? and

    see the yahoogroups archives if you can or my website (but the server is
    down today!)

    the number is Avex/Disney Records AVCW 12269

    I got it from the HK based company www.yesasia.com They were good
    enough, I paid the economy postage rate and it took 10 days the only
    downside is they mark up the CD because they've imported it themselves
    to Hong Kong. Still it almost works out a touch better than it initially
    seems in that the postage rate was lower than Japan

    the Cat# is
    Avex (Disney Records) AVCW 12269

    Tomita's name is just on the obi, its not on the cover or spine so it
    doesn't wind up in the online databases a lot of people order off of.
    This is a similar situation to the mediocre sound quality but commonly
    available Jungle Taitei (TOCT-10235) and Ribon no Kishi (TOCT-10404) CDs

    In general there is a lot more of 60s tomita TV music out especially on
    Toshiba on loose tracks.

    Like on my list of what I suspect is out there is I know there is an
    album of I assume half music from Tezuka's what it it? "Big X" I think
    series, which was done by Tomita. It's coupled with another series
    "Wonder 3" I think its called. None the less the theme music to the
    series is on probably a half dozen or more compilations.

    TOCT-8792 is a compilation of Super Hero TV themes 1967-68 with 6 by
    Tomita, but they just seem to be from Mighty Jack and Captain Ultra.

    more interesting is TOCT-9355, which I'm not sure of the name of, its
    like adventure TV themes 1956-82, its got a pair of very early Tomita TV
    themes and most interestingly "008" which has a female singer on top of
    the full out flanges and filter sweeps we instantly recognize from the
    classical albums


    > 2) On the official Tomita site reference is made to a 1994 CD entitled
    > "Tomita Sound Cloud Special Edition" - any info on this? Like is it still
    > available?

    Yes, this one stumps me too, the cat # seems odd also, maybe its not
    even a CD?? (considering Hansel & Gretel is on the list) also as I
    recall its not on his listing inside "Bach Fantasy", right?

    Anyway I can't find it on Nasu's list either. I'd wager that if it was
    a CD it wasn't a regular release because I did serious Tomita CD
    shopping in Tokyo in '95 and it was not to be found



    >
    > Hope the above is of some use to some of you, and hope to hear from some of
    > you
    >
    > Vince Williams
    >
    >
    > To unsubscribe from this group, send an email to:
    > isaotomita-unsubscribe at yahoogroups.com
    >
    >
    >
    > Your use of Yahoo! Groups is subject to http://docs.yahoo.com/info/terms/
     
    #2
  3. --- In isaotomita at y..., ndk <ndkent at o...> wrote:

    > This is a similar situation to the mediocre sound quality but
    commonly
    > available Jungle Taitei (TOCT-10235) and Ribon no Kishi (TOCT-
    10404) CDs

    Can you tell us where you obtained these? I got my Jungle Taitei CD
    from ebay, but I could probably find at least a dozen other people
    who'd like a copy. And I would definitely like a Ribon no Kishi CD
    for myself. :)
     
    #3
  4. kimbawlion2001 wrote:
    >
    > --- In isaotomita at y..., ndk <ndkent at o...> wrote:
    >
    > > This is a similar situation to the mediocre sound quality but
    > commonly
    > > available Jungle Taitei (TOCT-10235) and Ribon no Kishi (TOCT-
    > 10404) CDs
    >
    > Can you tell us where you obtained these? I got my Jungle Taitei CD
    > from ebay, but I could probably find at least a dozen other people
    > who'd like a copy. And I would definitely like a Ribon no Kishi CD
    > for myself. :)
    >


    These have been out since 98 and were fairly easily obtainable in any
    really big shop when I was last in Japan in 11/00. They were never with
    Tomita's classical albums, they were with the anime.

    Over a couple years Toshiba put out this series of old anime music in
    mono volumes, one CD at a time, they have matched covers and do not
    mention the composer on the outside of the packaging (which is 100% in
    japanese, but I can spot Tomita's name with ease) so like I said, in
    theory its unlikely they will show up on the databases if "Tomita" is
    keyed in. Kimba is volume 35, Princess is vol 44. I can't read the name
    of the series which has like a little logo, but then the name of the
    show proper is printed in its original title logo quite large on the
    cover and both the Toshiba series name and "Ribon no Kishi" for example
    are on the spine.

    You should just try ordering them by the cat#s from a CD seller that
    allows that. I've double checked the numbers mentioned above for typos.

    They aren't to be confused with the Bandai 4CD sets. "Jungle Taitei" was
    withdrawn shortly after release and "Ribon no Kishi" was cancelled
    before it shipped. The Kimba one had Tomita's name very prominant on the
    cover, which was in English. Like the record collector in me is angry
    that I had the Kimba set in my hand in '99 but didn't put 10,000 yen on
    the credit card to buy it. On the other hand, now that I know Tomita
    san's dissapproval of the release was the cause of it being withdrawn,
    respect for him clearly outweighs issues of, wow its rare now!

    I'm still curious about that Big X / Wonder 3 pairing I think I saw. It
    was not in the above Toshiba series but I'm near certain I saw a CD to
    it. Big X, was a not terribly successful series Tezuka did after Astro
    Boy and before Kimba. It was scored by Tomita (the other series wasn't),
    I have the theme on at least 2 compilations.

    nick
     
    #4
  5. --- In isaotomita at y..., ndk <ndkent at o...> wrote:
    > You should just try ordering them by the cat#s from a CD seller that
    > allows that. I've double checked the numbers mentioned above for
    typos.

    I'll see what I can manage. Thanks for the idea and the catalog
    number for the Ribon no Kishi disc.

    > They aren't to be confused with the Bandai 4CD sets. "Jungle
    Taitei" was
    > withdrawn shortly after release and "Ribon no Kishi" was cancelled
    > before it shipped. The Kimba one had Tomita's name very prominant
    on the
    > cover, which was in English. Like the record collector in me is
    angry
    > that I had the Kimba set in my hand in '99 but didn't put 10,000
    yen on
    > the credit card to buy it. On the other hand, now that I know Tomita
    > san's dissapproval of the release was the cause of it being
    withdrawn,
    > respect for him clearly outweighs issues of, wow its rare now!

    I can understand why Tomita disapproved of it; the whole set is in
    phoney stereo, which is unobtrusive at times and very bad at times,
    but always just phase tricks on mono material. I don't know why it
    was issued like that, because some cuts sound like they were re-mixed
    from multi-track masters by Bandai's engineers; for example, one song
    has the voice _very_ much more prominent than the original mix.

    But, despite the problems, there are some good things in there. If
    you care to wade through all the links on my page
    http://www.kimbawlion.com/audio.htm
    there are a couple of cuts from the Bandai set. My favorite is the
    one I labeled "variations on a theme" as part of the paragraph on the
    original Jungle Emperor theme. Reminds me of the start of the second
    movement of Grand Canyon Suite (or, actually, vice versa). (The
    kimbawlion.com server is down at this moment, but hopefully that will
    be fixed soon.)
     
    #5
  6. As for catalog numbers I've found that everywhere but some online shops
    will pretty much deal only with the cat# if ordering is involved. Like
    the name is only the means to look up the cat# and perhaps protects a
    bit against a typo causing some other album to show up as the order.

    Then again stuff is staying in print radically shorter now than in the
    90s. It doesn't mean it can't be found on store shelves, it
    unfortunately just means that most places can't order it.



    > I can understand why Tomita disapproved of it; the whole set is in
    > phoney stereo, which is unobtrusive at times and very bad at times,
    > but always just phase tricks on mono material. I don't know why it
    > was issued like that, because some cuts sound like they were re-mixed
    > from multi-track masters by Bandai's engineers; for example, one song
    > has the voice _very_ much more prominent than the original mix.

    The sets with the raw film cues sometimes have outtakes and alternates
    -- because obviously they are most likely going through the all music
    elements stored from that production rather than a final master for a
    proper soundtrack, but your assumption that if they are adding simulated
    stereo they are probably altering other aspects seems quite valid. For
    example they might have been working with the dubbing elements on mag
    stock ("M&E" tracks) which might have been intentionally isolating
    japanese language vocals for foreign sales. I don't think the used stems
    extensively back then like they do now and if they ahd multitrack they
    wouldn't have to simulate stereo. But the separate vocals sounds like
    something they'd likely do. Also I guess there is much advantage of
    overdubbing vocals separate on a separate channel. Theres a 1990s
    soundtrack reissue to Mothra (original not remake) where the CD label
    even intentionally separated the Peanuts from the music just out of
    curiosity, so you wind up with an extra track of them acapella (if it
    weren't under strong copyright it would be just the thing for a club
    dance hit) ... and the orchestra alone suitable for your own karaoke
    version I guess.


    Then again I suspect the phoney stereo isn't that near the heart of
    Tomita halting that release. His name is quite prominant on the box as
    you know, its a "given" that they obviously did not seek his approval
    for its release. I've not heard exactly the extent of the ownership
    rights to these scores that he has retained. All information points that
    he was extremely bothered by the format of the huge set of raw cues
    never intended for soundtrack release and the prominant artist billing
    hurt him.

    Something along these lines seems to also be what Vangelis believes in.
    Like the never initially released Blade Runner album had Vangelis
    refusing to release a bunch of film cues on an album as I think was the
    intent. He was able to insist on a do it right or no album deal I guess.
    If you are unaware, maybe 2/3rds of the Chariots of Fire (#1 charting
    U.S. album) was composed for the album and not in the film. The standard
    operating procedure in Hollywood is the film music is recorded first and
    the orchestra is retained to follow once the film soundtrack is wrapped
    with prepared suites based on the music, thereby the orchestra can play
    with a minimum of rehersal and sound just like the film, yet be able to
    make a proper album without the disjointedness of short raw film cues.
    Also for Vangelis, that release 10 years later coincidently right after
    the frenzy surrounding the bootleg at least meant when that release was
    made he probably had a whole new better contract and the label wanting
    him to do it his way.


    One must remember that at the time of the Bandai box the Pioneer release
    of the live Genji album was a fairly recent event (not to be confused
    with the Dennon studio version). He was definitely bothered by that
    because while pioneer had the rights to release the album, Tomita wasn't
    expecting that to happen, and as I understand even had gotten adverse
    reaction from professionals on the technical and performance quality of
    that recording, something of course he did not supervise (He supervised
    the Dennon version himself)

    This whole area of discussion brings to mind a slight curiosity why the
    original "Catastrophy 1999" album isn't on his official website list as
    the version with the two side long suites at least seems to have been
    prepared for a proper album. That material is in real stereo and while
    its obviously reusing a film score, at least is formatted for album
    listening. One guess is maybe someone else prepared it and he'll only
    put on his official discographies material he himself prepared for album
    release?

    nick
     
    #6
  7. --- In isaotomita at y..., "kimbawlion2001" <kimbawlion at w...> wrote:
    >(The kimbawlion.com server is down at this moment, but hopefully
    that will
    > be fixed soon.)

    OK, now that the server is back up, I can point you directly to the
    appropriate cuts if you're interested. I thought this would help
    since my page is written for fans of the show and not Tomita
    collectors...

    These are from the Bandai set--
    http://www.kimbawlion.com/extmixJS.mp3
    http://www.kimbawlion.com/RogersFluteTheme.mp3
    http://www.kimbawlion.com/d2t23.mp3 <--this is the one I'm reminded
    of by the opening of "Painted Desert" from Grand Canyon Suite
    http://www.kimbawlion.com/d2t21.mp3

    These are from the Toshiba disc--
    http://www.kimbawlion.com/ElizasSong.mp3
    http://www.kimbawlion.com/KittysSong.mp3 <--this is the one in which
    the vocal is too loud on Bandai
    http://www.kimbawlion.com/GALfull22.mp3
    I have my doubts whether Tomita wrote that last one (the theme to the
    New Jungle Emperor [1966]).
     
    #7
  8. --- In isaotomita at y..., ndk <ndkent at o...> wrote:
    > The sets with the raw film cues sometimes have outtakes and
    alternates
    > -- because obviously they are most likely going through the all
    music
    > elements stored from that production rather than a final master for
    a
    > proper soundtrack,

    >From what I can gather from the accompanying book, this is what they
    did. There are several pictures of tape boxes. Reminds me of
    presenting an achaelogical find.

    > but your assumption that if they are adding simulated
    > stereo they are probably altering other aspects seems quite valid.
    For
    > example they might have been working with the dubbing elements on
    mag
    > stock ("M&E" tracks) which might have been intentionally isolating
    > japanese language vocals for foreign sales. I don't think the used
    stems
    > extensively back then like they do now and if they ahd multitrack
    they
    > wouldn't have to simulate stereo. But the separate vocals sounds
    like
    > something they'd likely do.

    This sounds very likely. I only know that when the show was shipped
    to the US for English-language dubbing, the vocals for the songs were
    included on the music & FX track (only the spoken dialog was
    separated onto the second track). I have no idea how this relates to
    the way the original parts were recorded or saved.
     
    #8
  9. > I have my doubts whether Tomita wrote that last one (the theme to the
    > New Jungle Emperor [1966]).

    If you have the booklet to the toshiba disc it has the credits,

    tracks 21 and 22 are not by Tomita, the rest are his musical composition
    (not the lyrics)

    I know I told Ben but I don't remember if I told the list, some of these
    old reissues have "S40", "S42" or similar numbers listed. It took me
    like a year to realize that these are year dates in the Japanese
    Emperor's reign. "S" stands for Showa (= Hirohito), I just never thought
    they'd use a roman letter to represent the emperor and then use the
    formal name for the reign, but apparently it was the thing to do in
    those days. What year is it now, H13?




    You probably know but those who don't might find the Laughter Robot's
    Hemp Mix of the Boredom's Jungle Taitei cover version amusing. Its on
    "Super Roots 8", a Boredoms mini album along with their unremixed cover
    and someone elses mix.

    Whats of interest is avant garde pop-master Yann Tomita is adding his
    kind of synths to it as the remix. Yann Tomita is no releation to Isao
    but I was surprised to find some years back that if you say "Tomita" to
    most people into cool and trendy pop they'll think of Yann Tomita who
    had a lot to do with bringing Exotica music back into popularity in
    Japan and does a lot of concoctions with Buchla and Serge synths. I
    wouldn't reccomend it though for someone wanting Isao Tomita's synth
    sounds or Kimba purists though it is pretty clever (its definitely
    tribal to start with but Yann Tomita adds an alien presence to everything)

    nick
     
    #9
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