Old Recordings - A Thought (& a good one!)

Discussion in 'Tomita' started by dreams_raven at h..., Sep 15, 2001.

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  1. Would it be possible (and perhaps more likely) to get the out of print
    recordings released in short runs for fans? Like Japanese soundtracks,
    Daphnis et Chloe, Bermuda Triangle, etc. Or would this be a legal minefield?

    Out of curiousity, roughly how many members are there on the list?

    AlpHa DrGNfR 0m3gA


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  2. Dave Blowers wrote:
    >
    > Would it be possible (and perhaps more likely) to get the out of print
    > recordings released in short runs for fans? Like Japanese soundtracks,
    > Daphnis et Chloe, Bermuda Triangle, etc. Or would this be a legal minefield?
    >
    > Out of curiousity, roughly how many members are there on the list?
    >
    > AlpHa DrGNfR 0m3gA
    >

    My guess that would probably be BMG's option. What I've been seeing
    happen is Japanese labels, especially since the recession let old
    releases sell out and then usually repackage them and reissue them again
    later. The bad news is Tomita surely won't get so much support since
    he's left BMG for Denon.

    Every once and a while someone is able to reobtain the rights to an old
    release. Sakamoto for instance did this on "B-2 Unit" which I guess was
    a favorite of his, because it showed up reissued on his then current
    label (he's changed labels twice since, its still with that then current label).

    Then there is Wendy Carlos who has gotten the rights to nearly all
    non-soundtrack albums back. While never publicly announced, *my theory*
    is Carlos and legal counsel brought up possibly dishonest bookkeeping
    that Columbia made regarding the albums to Columbia's new owner, Sony.
    The album's ownership rights were out of court compensation.

    Finally I note that there are reissue labels, a fairly new phenomonon in
    Japan. One, P-Vine is doing a, what seems to be new strategy of jointly
    re-releasing old albums in partnership with the owner label, which is
    different from the more usual approach I think of liscencing the album outright.

    Being that all the classical albums except Bach Fantasy are owned by BMG
    U.S. ("Back to the Earth" was the final BMG U.S. album), the American
    office, not the Japanese office would call the shots on liscencing.

    Certainly much vintage EM has been liscenced and reissued by a new party.

    nick
     
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